REVIEW: Michael Rosenstein | Point of Departure

“While the sounds of the source tapes are integral, it is the way that Tudor teases timbral shadings and textural densities out of his setup that stand out. Weaving together the multi-channel threads of input and output, the pieces develop in complex and constantly morphing layers. At the start of “Take 1,” the chatter of Tudor and his assistants sets the stage as low rumbles and thrumming oscillations accrue, gradually shot through with high-pitched squeals and glissandos between quavering pitches. At times, waves of feedback waft through, which Tudor lets build and then breaks before it overwhelms the sound field. It’s that contemplative control and mutable outcomes that make for such exhilarating results. “Take 2,” on the second side of the LP, delivers an alternate version that works with the same components, allowing one to hear Tudor work through the sonic palette for equally distinctive results. […] You Nakai provides insightful, detailed background, archival photographs, and information about Tudor’s setups which provide an invaluable reference.”

https://www.pointofdeparture.org/archives/PoD-77/PoD77MoreMoments6.html

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