REVIEW by Leah Kardos: The Wire

“The narrative is pieced together from painstaking archival research, interviews with Tudor’s associates, and through Nakai’s own music making experiments. By exploring practical ways of discovering and knowing alongside his archival and analytical research, the author created for himself the “hunting and testing grounds” for the ideas he elaborates and interrogates in the book. Nakai’s style is clear, elegant and refreshingly free of academic jargon and intellectual posturing. Anyone can pick this book up and become engrossed, from the level of the casual and curious all the way to postgraduate researchers and musicologists.”

https://www.thewire.co.uk/issues/449

REVIEW by Geeta Dayal: 4Columns

“Throughout the book, Nakai demystifies Tudor and his process. Electronic music of the past is often portrayed in a dreamy, magical light—a hazy historical landscape filled with misty, otherworldly sounds. But while the music of a bygone era may seem ineffable, it is not inaccessible. Listening to it can be a glorious and transcendent experience, but its inner workings can be made legible. Writers, historians, and researchers can help make those sounds understandable to the wider audience by exploring hidden meanings and developing a vocabulary to explain them more fully. Making the past legible empowers us. These composers weren’t perfect, omniscient geniuses. While there will never be another David Tudor, shedding light on his creative process makes one think, ‘Maybe I could do something like that, too.'”

https://4columns.org/dayal-geeta/reminded-by-the-instruments

REVIEW by Djll: goodreads

“On page 85 at the moment. At this point, words are inadequate to express my admiration for You Nakai’s achievement with this book, and the depth of its effect on my understanding of not just its subject (Tudor) but the entire world of postwar avant-gardeism. […] About every 15 pages I have to put the book down and try to assimilate the revelations that “Reminded…” dishes out, and then get out other books on Cage and Stockhausen, and recordings, and dig the new perspectives Nakai’s research and insight have bestowed upon them. And this is still chapter one I’m talking about!”

https://www.goodreads.com/review/show/3927986484?book_show_action=true&from_review_page=1